Of how many
artists can it
be said that
they’re getting
better, 33 years
into their
recording
career? Colin
Linden can
certainly be
considered a
member of that
select club
based on
From the Water,
the 11th solo
album in a
storied career
that has also
featured his
work on
literally
hundreds of
other records.
At last count,
the total of
albums on which
he has played
stood at over
300, while at
least 70 albums
bear the
“Produced by
Colin Linden”
credit.
Linden is a
genuine
renaissance man
of roots music.
He’s a singer
and songwriter
of great skill,
an in-demand and
prolific record
producer ( Bruce
Cockburn, Tom
Wilson, Colin
James), a
sideman to the
stars as
guitarist for
the likes of
Bruce Cockburn,
Emmylou Harris,
and Robert Plant
and Alison
Krauss, and, for
the past decade,
a member of the
highly
successful trio,
Blackie and the
Rodeo Kings.
Colin’s songs
have been
covered by The
Band, The Blind
Boys of Alabama,
Keb’ Mo’, and
Colin James, and
his well-stocked
trophy case
includes seven
Juno (Canadian
equivalent of
the Grammy),
multiple Maple
Blues Awards,
and a Toronto
Arts Award. He
was nominated
for a Grammy
Award for the
star-studded
A Tribute to
Howlin’ Wolf
CD, and
was involved in
the
ground-breaking
O Brother
Where Art
Thou
album. Linden
has a
well-deserved
reputation as a
slide guitar
virtuoso of real
originality, and
his riveting
slide work can
be heard both on
albums from such
artists as
Cassandra
Wilson, The
Rankin Family
and Whitey
Johnson and on
his own sizeable
solo catalogue.
Colin’s
multi-faceted
talents coalesce
in truly
compelling
fashion on
From the
Water.
This is a
stylistically
more diverse
work than his
previous outing,
2007’s
easin’ back to
tennessee.
That acclaimed
disc served as
an homage to the
acoustic country
blues style that
was the crucial
inspiration for
the Toronto-born
and raised,
now-Nashville-based
Linden in his
musically
formative years.
From The Water
can also be
viewed as an
homage of sorts.
Colin’s
long-time
musical
collaborator and
closest friend,
legendary
keyboardist
Richard Bell,
passed away in
2007, and his
spirit is
omnipresent
here. The
dynamic duo
played on over
100 albums
together (more
than 40 of them
Linden
productions),
including
records by The
Band, Bruce
Cockburn,
Lucinda
Williams,
Blackie and the
Rodeo Kings and
Colin James.
“We had such a
giant, gaping
hole in our
hearts, our
lives and our
music,” says
Colin of his
departed
comrade.
“Instead of
trying to
replace the
irreplaceable,
we all just
tried to play
more like
Richard. We
tried to
incorporate his
irreverence, his
spirit, and his
incredible
musicality. I
surrendered a
lot to the
emotion and you
hope that lets
you dig deeper.
You are not so
self-conscious
in what you are
doing. We all
just tried to
get better than
we’ve been.”
That
determination
paid off, as the
depths of their
grief clearly
lifted Linden
and his band up
to greater
musical heights
on From
the Water.
The disc
features his ace
team of
long-time
musical
accomplices,
bassist Johnny
Dymond, drummers
Bryan Owings and
Gary Craig (who
doubled as
associate
producer), and
keyboardist John
Whynot, who also
recorded the
album. Guests
include
harmonica
virtuoso Paul
Reddick and the
famed Memphis
Horns, featuring
Wayne Jackson.
This stellar
cast proved the
ideal
accompanists for
a collection of,
in Colin’s
words, “some of
the grooviest,
funkiest and
most soulful
songs I could
have written and
recorded.” The
central focus
throughout
remains the
potent
combination of
Linden’s gritty
and emotionally
eloquent vocals,
typically fluent
and resonant
guitar work, and
songs saturated
with gravitas,
grace, and
heartrending
soul.
From the Water
was recorded in
studios in both
Nashville and
Canada. “The
spirit of the
record had more
to do with the
people than the
place this
time,” says
Linden. “Much of
what you hear is
off the floor,
with the basic
band, then I
spent a lot of
time working on
the little
details.”
Some notable
co-writers
contributed to
these songs.
“Trouble Only
Comes in 3s” was
written with
Richard Bell
while he was in
hospital. “To
take our minds
off what was
going on, I told
Richard it was
time to finish
the song,”
recalls Colin.
“I bought my
guitar and
notebook to the
hospital one
day, and we
knocked it off.
That song was
born by the idea
of Richard and I
impersonating
Peter Lorre in
singing ‘It
Should Have Been
Me’ by Ray
Charles.”
Linden co-wrote
two songs with
his wife,
novelist Janice
Powers. “Smoke
Em All” is about
Bell (“tough
like Chuvalo,
with Ray Charles
soul”), while
the slow blues
ballad “Sinking
Down Slow” was
spawned by a
lyric written by
Powers for her
new novel. One
of Nashville’s
top songwriters,
Gary Nicholson,
a long-time
collaborator as
producer and
songwriter with
Delbert
McClinton,
co-wrote two
numbers with his
good pal Colin,
“The Price You
Pay” and the
gentle and
haunting closing
cut, “God Will
Always Remember
Your Prayers.”
Intriguingly,
three songs
here,
“Devilment,” the
poetic and
poignant “John
Lennon in New
Orleans,” and
“It’s Later than
You Think,”
surfaced last
year on Paul
Reddick’s
acclaimed album,
Sugar Bird.
Colin produced
and wrote or
co-wrote all the
numbers on that
record, and
these convincing
re-workings
prove that a
good song can
work with
different
treatments.
The title track
was written by
Linden in the
wake of Katrina.
“My wife kept
having dreams
about floods,”
he explains. “So
many people who
love music have
a deep
connection with
New Orleans, and
we were
terrified by
what went on
there, the
natural and the
man-made
disasters.”
The imagery of
water washes
over much of
this album.
“Fundamentally,
I feel that, in
this period of
time, in so many
lives, there was
a lot of water,
a lot of tears
shed,” Linden
explains. “But
you can also
view water as a
place you get
baptized in. No
matter how crazy
and chaotic and
heart-breaking
this time has
been in history,
I’m an optimist
that we are
coming out from
the water.”
With From
the Water,
Colin Linden has
crafted a
compelling work
that will leave
the listener
feeling
spiritually
cleansed and
musically
reinvigorated.